Article by Stefanie Payne. First published on The Greatest Road Trip.
The Tetons have loomed up grandly against the sky. From this point it is perhaps the finest pictorial range in the United States or even N. America. — Thomas Moran, Landscape Artist
6 Places to Capture Incredible Landscape Shots in Grand Teton National Park
To say that Grand Teton National Park is an iconic photography destination is almost an understatement. The jagged peaks of the Teton Range, along with the stunning natural beauty and wild animals on the valley floor, have long lured photographers from around the world. In particular, the arrival of autumn, when the aspen trees explode in extraordinary hues of yellows, oranges, and reds, makes this park one of the finest places to take pictures in the world. We timed our visit to coincide with this explosion of color, and it did not disappoint. Whether you are visiting during the fall or any other time of year, there are endless opportunities to photograph the incredible. Here are a few suggestions for some great locations to shoot within this dynamic national park.
#1 Oxbow Bend
Oxbow Bend during autumn.
The first moment you set eyes on Oxbow Bend, you can hardly believe it is real. The scene is so stunning…so jaw-dropping…that it seems unreal. Or, you may believe it was the work of divine creation; or that you stepped into a dream. It is a fine place and stands among the most beautiful landscapes I’ve ever had the privilege of photographing.
What to shoot: The main shot here is looking down the Snake River to the distant Teton Range, and catching the range (in particular, Mount Moran) reflected in the water.
How to get here: The turnoff is located in between Jackson Lake and the Moran entrance station (closer to Jackson Lake) on the north side of the park. It will be hard to miss this turnoff, not only because of the incredible beauty, but also because of the crowds that gather here. At any time of day there will be tourists, photographers, sightseers, etc. there to see this amazing spectacle.
Location tip: A lot of photographers congregate around the turnoff, however, having scoped this location out from every angle, I don’t think this is the ideal location to shoot this scene (also, if you don’t arrive 1 to 2 hours early you will not get a spot due to overcrowding.) There is a very small space where you can get the money shot about 100 yards down the road (to the right of the turnoff.) There is plenty of space to setup there, and you can get close to the water for more complete and unobstructed reflections. You won’t also have to worry about anyone stepping in front of a long exposure, which happens a lot near the turnoff.
Best time to shoot: This is a sunrise location, and is best-photographed early- to mid-morning. However, stunning images can be captured any time of day.
Equipment suggestions: A mid range wide-angle lens (in the 35-50mm range) is best for capturing the scene. I also liked having a longer lens (in the 70-200mm range) for distant subjects and to isolate parts of the scene that are quite interesting. A tripod is a must for low-light (early morning) shots, and I suggest bracketed at least one stop +/- in order to capture the full dynamic range.
Other suggestions: A word of caution: the main shot here (the distant Teton range) is so beautiful that you might not be able to take your eyes off of it. But I implore you to look around when shooting here, as there are details in every direction that are just as compelling. Here are a few examples…
#2 Schwabachers Landing
The colors of fall explode at Schwabachers Landing.
Another awesome location within the park is called Schwabachers Landing. This area is used as a launch location for boaters and fisherman seeking access the Snake River, and it also happens to be a stunning location for photography.
What to shoot: Once again, the Teton Range serves as the backdrop here for calm water reflections. A variety of pools and forested areas provides many opportunities for creative compositions.
How to get here: Schwabachers Landing is located about 2 miles south of the Snake River Overlook, and 5 miles north of Moose, WY along highway 191. There is a nondescript dirt road leading down to the landing, just north of the Glacier View Turnout. You might miss it the first time you pass, but once you’ve been there it is pretty easy to find the second time.
Location tip: I would say that there are actually three separate locations here to shoot, all with their own unique attributes (although they all frame the Teton Range). The first is accessed from the main parking area, at the end of the road. From there, you can shoot a beautiful reflection of the Teton Range. Most people never leave that area. If you walk down the path about 100 yards you will come to an equally impressive and much less visited spot, which I will call Schwabachers #2. The active beavers in the area have created a dam that allows for calm water in a beautiful pool that provides excellent reflections of the distant mountains. I recommend going there first and then working back to the main area. The last spot, Schwabachers #3, is located near a small parking lot on the same road, before you reach the end (where the main shooting area is.) You have to pass this spot to get to the main area, and you might not think there is much there, as all the cars will be parked further down. This location provides yet another area for creative water reflections of the distant Teton Range, and the great beaver dam adds a nice leading line.
Best time to shoot: This is a sunrise location, and is best photographed before sunrise (alpenglow!) and just after sunrise when the peaks start to become lit by sunlight. Once again, don’t be afraid to stop here any time of day as the reflections can be beautiful even at midday.
Equipment suggestions: A wide-angle lens (in the 16mm to 24mm range) is best for capturing the wide view here (at all three locations). A tripod is also highly recommended.
#3 Snake River Overlook
The Snake River Overlook was famously photographed by Ansel Adams.
Who can forget to Ansel Adams’ famous Snake River Overlook image? It has inspired endless amateur and professionals alike to try their hand at capturing such beauty found in nature. It certainly has inspired me, and that is why half the fun of taking this shot is simply knowing that Ansel once stood in the very place that you are standing when you visit there—that alone is worth the price of admission.
What to shoot: Like Ansel’s visionary image, the shot here is to try and capture the Snake River as it bends into the horizon, back dropped by the Teton mountain range.
How to get here: The overlook is located about 8 miles north of Moose, WY, off highway 191.
Location tip: Ansel shot his famous image over 70 years ago, and the trees have grown and obstructed much of the view in the passing years. It will be near impossible to create his same shot, but try getting as high as possible to bring as much of the Snake River out from the treeline. Trees or not, it is still an incredibly beautiful scene.
Best time to shoot: While sunrise can be a popular time to photograph here, I preferred the late afternoon light on a cloudy/overcast/stormy day. I love the moodiness the clouds can bring, and the opportunities for rays breaking through the clouds and highlighting different features of the scene. I patiently waited for weather and I believe it was the right call.
Equipment suggestions: A wide-angle lens (in the 24-35 mm range) is best for the scene here. While most photographers don’t own this, I have the MegaMast Carbon Fiber Camera Stand, which is a monster carbon fiber tripod that can extend up to 27’ in the air. I love this thing, and I only use it for situations like this where I want a different shot. I also get a ton of snickers and onlookers who have never seen such a tall tripod. But I tell ya, it works really well! This is one way to get above the treeline to get this shot.
The Snake River Overlook in black and white.
#4 Mormon Row
The Moulton homesteads on Mormon Row at dawn.
Mormon settlers from Idaho arrived to the Grand Teton area in the 1890’s, and clustered their farms together in what is known as the Gros Ventre/Antelope Flats area of the park. The relics of their once flourishing farms can still be seen today, and make for some incredible photography subjects. Mormon Row was added in 1997 to the National Register of Historic Places as a Historic District. It is indeed a historic, and very beautiful place.
What to shoot: The barns on the Moulton homesteads with the Teton Range in the backdrop.
How to get here: Driving north on highway 191, turn right onto Antelope Flats road just past Moose Junction. About a mile and a half down this road you will come to a small dirt road leading north/south in both directions (respectively). Turn left to park at the little parking area to access barn #1 (John Moulton barn), and turn right to get to barn #2 (T.A. Moulton barn).
Location tip: There are two barns here that I thought were significant and beautiful shots: #1 is the John Moulton barn, and #2 is the T.A. Moulton barn. Both barns are easily accessed, and on adjacent homesteads. Truthfully, I was fonder of the John Moulton barn as I liked the shape of it and thought it composed better against the mountains, but I know some photographers prefer the T.A. Moulton barn. You can’t go wrong with either spot…they are both very photogenic.
Best time to shoot: This is a sunrise location. I liked the alpenglow that occurs on the mountains right before sunrise, but first light is pretty special as well. Get here early (at least an hour before sunrise, preferably 1.5-2 hours), as this is a very busy sunrise photography location and there aren’t a ton of prime locations to setup your tripod.
Equipment suggestions: A wide-angle lens (in the 21-24mm range) is best for capturing the barn backdropped by the mountains. I’d also bring a 70-200mm that you can use when you move back a bit at the John Moulton barn. A tripod is a must, and a graduated neutral density filter is highly recommended to properly expose the shadowed foreground when the light starts to hit the mountains.
Other suggestions: I was also lucky enough to convince some of my fellow shooters (at the John Moulton barn) to try moving back about 50-100 yards, as the longer lens helps compress the scene and make the Tetons seem even bigger. I think that was a once-in-a-lifetime occurrence, getting him to move—most of the time, there is at least one person who will set up in too close and stay there for the duration…but it is still worth trying. If you can’t convince people to move back, still try shooting from farther back as I do believe it to be the better shot at that location (you just may need to test your skills at removing people from within the frame in Photoshop.)
#5 The Owl Area (a.k.a. The Moose-Wilson Scenic Drive)
I call this site “The Owl Area” because of the two beautiful Great Horned Owls I saw during one trip down the same road (I also couldn’t remember the name of the road for the longest time, but I’ve resolved that, see below.) There is a lot of wildlife in this area—when I was there parts of the road were closed to vehicle stopping because of recent bear activity; we saw elk as well, and of course, the majestic owl.
What to shoot: Wildlife. This scenic drive passes through wetlands and forested areas that are rife with fauna and the backdrop is stunning.
How to get here: One of the beautiful things about the Moose-Wilson Scenic Drive is that it is not as busy as a normal park scenic drive. I think that has to do with its location, which starts right before the main entrance station in Moose (if coming from the south.) It’s a dirt road that I think a lot of people simply pass it by… it turned out to be a place that we loved.
Location tip: Go slow. Not only will you be trying to spot owls and other animals who are very well cloaked and elusive, but animals can run out in front of the car from the brush alongside the road at any moment. It helps to have a spotter with keen vision in addition to the driver, but you can spot while driving as well (just be careful.) Be sure to look to the tree branches that are 10 to 20 feet off the ground, where owls often sit while hunting prey. If you see an one in the distance, park your car in a pull-off (animal jams can happen quite quickly if you are not considerate) and go for a walk to try and get a bit closer.
Best time to shoot: You can take this drive anytime, but I usually hit this around midday when the sun was too bright for other shooting. Most of the drive is through forested area, which provides nice shade from midday sun.
Equipment suggestions: You really need a longer zoom to capture wildlife here. I loved having my 100-400mm, as it could handle most situations. As the forest can be in shade, don’t be afraid to bump your ISO up so you are getting shutter speeds in the 500 (minimum) range.