Give Yourself to “The Beautiful” … How to Write Better Poetry, Advice from Pietros Maneos

December 7th, 2011

-Pietros Maneos, student of τό καλόν

Writing poetry, one must give oneself fully to The Beautiful.  This involves much more than simply reading reams of canonized verse.  I firmly believe that it is as valuable to gaze upon the rosy-fingered dawn in all of its blazing glory – to listen to the lovely lyra lost in the environs of Arcady – and to inhale the sweet aroma of a fully-flowering gardenia tree blossoming in Tuscany – as it is to cloister oneself in a darkened study like a medieval monk drunk on dusty verse.  Now, a delicate balance must be struck between beautiful experience, one could even say, beautiful sensation, as mentioned above, and introspective intellectual pursuits.  To cultivate a harmony between the two is integral to one’s success.  One must be a disciplined devotee of Apollo, not only Dionysus, being able to endure long durations of scholarly solitude.

Another bit of counsel that I would proffer is to compose and edit to music, which will undoubtedly enhance the musicality of one’s verse.  I write to the Cretan lyra and the Grecian bouzouki, which has assisted in developing a euphonic grandeur within my own oeuvre.  The divine Walter Pater famously opined, ‘All art constantly aspires to the condition of music,’ and this is especially true for poetry.  All of the ancient Grecian bards ‘wrote’ (although one should say ‘sung’) in this manner; the moderns have forsaken this hallowed practice, to the detriment of their art, but alas, I promised myself that I would not descend into a Paglian diatribe against modernity, so allow me to move on.

One’s most prized asset as an artist is leisure time, for it is only in sustained bouts of leisure that one has the ability to attain one’s ‘Arete’ (excellence).  If one is slaving away working 8 to 10 hour days like an impoverished plebeian, it is very difficult to secure the requisite time required for literary creation.  So, having said this, I would advise young poets to become successful opium dealers in Paris (I kid, I kid.  Please no nasty emails).  But if one is able to work a 4 hour shift, endeavor to do so, so that the remaining time can be devoted exclusively to the Pierian Muses.  Here are a few literary recommendations that I think will help develop the mind, and more importantly the Soul of an aspiring poet – they are in no particular order, except for Homer, of course.

1.  Homer’s The Iliad and The Odyssey (when you come across the far-famed ‘as when’ feel free to faint, or in the least sprout goose bumps)

2.  Sappho’s complete poems (see Anne Carson’s If Not Winter)

3.  Richmond Lattimore’s translated Greek Lyrics

4.  Walt Whitman’s Leaves of Grass

5.  Pablo Neruda’s 100 Love Sonnets

6.  Algernon Charles Swinburne’s Poems and Ballads

7.  Walter Pater’s Studies in the History of the Renaissance (pay close attention to his discussion on the French Pleiad school of Poetry)

8.  Lord Byron’s Childe Harold and Don Juan

9.  John Keats’ La Belle Dame Sans Merci, Ode to a Nightingale, Ode on a Grecian Urn (but all of Keats is divine)

10.  Constantine Cavafy’s Antony’s Ending, Ithaka, Thermopylae (see www.cavafy.org for a complete listing of his poems)

By the bye, here are three examples of the Cretan lyra as played by the orphic, Achilleas Dramountanis, for those interested in listening to the beauty-blessed lyra.

http://youtu.be/Kp-4bwsFId0

http://youtu.be/oEQbX2Xl5AE

http://youtu.be/9j6dMPMR9Tk

 

Pietros Maneos is the author of The Soul of A Young Man and Poems of Blood and Passion.  His first novella, The Italian Pleasures of Gabriele Paterkallos, is forthcoming from Aesthete Press in the spring of 2012.

 




Literary Quotes about Whisky – “Springboards for Learning More” (II)

November 29th, 2011

1800's steel plate engraving of whisky stills

By Ray Pearson, Scotch Whisky Expert

“Wine is bottled poetry.” - Robert Louis Stevenson

Scotland’s most famous drink has long been a muse for poets. Through verse, ingredients are exalted, secrets and mysteries of its creation are admitted, descriptions of birthplaces define localities, and, above all, the soul of the spirit and country soar.

Robert Burns, no stranger to the strong drink of his native Scotland, wrote in John Barleycorn what is probably the most recognized homage to Scotch whisky. Here is a lesser-known work, which glorifies the love imbibers have for “good old Scotch drink”:

 

"The Bard" - Robert Burns

Scotch Drink

            Robert Burns, Scotland’s Bard

(Selected verses, Standard English Translation)

 

Let other poets raise a fracas
About vines, and wines, and drunken Bacchus,
And ill-natured names and stories torment us,
And vex our ear:
I sing the juice Scotch barley can make us,
In glass or jug.

O you, my Muse! Good old Scotch drink!
Whether through winding worms you frisk,
Or, richly brown, cream over the brink,
In glorious foam,
Inspire me, till I lisp and wink,
To sing your name!

Let husky wheat the hollows adorn,
And oats set up their bearded horn,
And peas and beans, at evening or morning,
Perfume the plain:
Blessings on you, John Barleycorn,
You king of grain!

 

Moving forward about 300 years, accomplished poets continue to praise both the foibles and satisfactions associated with drinking Scotch. From its misty Gaelic beginnings, to its sensory delights, Britain’s Poet Laureate describes her drams of Scotch:

 

Drams

            Carol Ann Duffy, Poet Laureate of the United Kingdom

(Selected verses)

 

The love of the names, like Lagavulin, Laphroaig,

Loosening the tongue.

 

Beautiful hollow by the broad bay, safe haven,

Their Gaelic namings.

 

It was Talisker on your lips,

Peppery, sweet, I tasted, kisser.

 

First, the appearance

Then the aroma, mouth-feel;

Lastly, the finish.

 

Under the table

She drank him, my grandmother,

Irish to his Scotch.

Barley, water, peat,

Weather, landscape, history,

Malted, swallowed neat.

 

The perfume of place, seaweed scent on peaty air,

Heather dabbed with rain.

Liquid narrative of scots and Gaelic,

Uttered on the tasting tongue.

 

Places, as well as people, have always played integral roles in the history and fame of Scotch whisky. Two of today’s leading brands of single malts are eulogized in verse by authors who have long since accompanied the ethereal journey of “the angels’ share” heaven-bound:

 

Anonymous, Historical Poems

 

Glenlivet it has castles three,

Drumin, Blairfindy and Deskie,

And also one distillery,

More famous than the castles three.

… and about Glenfiddich, founded by the Grant family:

Lord grant guid luck tae a’ the Grants,

Likewise eternal bliss,

For they should sit among the sa’nts

That make a dram like this.

 

Among contemporary wordsmiths, poets, and songwriters, Robin Laing is one of the most-recognized. Robin has written three books about whisky, and recorded eight CDs, three of them exclusively about whisky. With equal ease, Robin uses his sly wit, cutting-edge humor, and tear-jerking nostalgia to make his points about the history, fortunes, and sheer magic of Scotch. Here is a sampling:

 

Bruichladdich (“broo ick laddy”)

            Robin Laing, Scotland’s Whisky Bard

Commissioned to celebrate the reopening of the distillery

(Selected verses)

 

One day as I was walking by the shores of Loch Indaal,

I met a man with sadness in his eyes.

The story was as haunting as the lonely seabirds’ call,

And he told me of the day he wept and walked away,

As he watched the fire at Bruichladdich die.

 

He told me of a place once would never sleep,

With hiss of steam and clang and furnace roar.

How that sleeping beauty lies trapped in slumber deep,

With moonbeams full of dust, and gates & chains of rust,

And ghosts that wander the Bruichladdich floor.

 

And the moon smiles kindly on the western seas.

Perfume tumbles on the midnight breeze,

And standing on the island of distilleries,

You can almost see the coast of heaven.

 

More Than Just a Dram

            Robin Laing, Scotland’s Whisky Bard

(Selected verses)

 

Take clear water from the hill

And barley from the lowlands.

Take a master craftsman’s skill

And something harder to define,

Like secrets in the shape of coppered stills

Or the slow, silent, magic work of time.

 

Bring home sherry casks from Spain,

Sanlucar de Barrameda,

And fill them up again

With the spirit of the land.

Then let the wood work to the spirits’ gain

In a process no one fully understands.

 

Oh, the spirit starts out clear,

But see the transformation

After many patient years

When at last the tale unfolds.

For the colours of the seasons will appear

From palest yellow to the deepest gold.

 

When you hold it in your hand

It’s the pulse of one small nation

So much more than just a dram.

You can see it if you will -

The people and the weather and the land.

The past into the present is distilled.

 

Poets, with their fingers on the pulse of the subject, have raised their personal paeans to Scotch whisky to glorious heights. They have blessed John Barleycorn, the king of grain, taken us to parts of Scotland where there is a perfume of place, seaweed scents on peaty air, or heather dabbed with rain, and to an island of distilleries where you can almost see the coast of heaven.

Second in a series: Literary Quotes About Whisky – Springboards for Learning More.


Poem: “To the Virgins, to Make Much of Time”

November 21st, 2011

17th Century “Carpe Diem” Poem, by Robert Herrick

'Gather Ye Rosebuds While Ye May' is an oil painting on canvas created in 1909 by British Pre-Raphaelite artist, John William Waterhouse

To the Virgins, to Make Much of Time

Gather ye rosebuds while ye may,

Old Time is still a-flying:

And this same flower that smiles to-day

To-morrow will be dying.

The glorious lamp of heaven, the sun,

The higher he’s a-getting,

The sooner will his race be run,

And nearer he’s to setting.

That age is best which is the first,

When youth and blood are warmer;

But being spent, the worse, and worst

Times still succeed the former.

Then be not coy, but use your time,

And while ye may, go marry:

For having lost but once your prime,

You may for ever tarry.

..

- Robert Herrick (1591 – 1674)


Page 5 of 17« First...3456710...Last »